Blank Canvas or Tone-Deaf? Pantone's White Colour of the Year Faces Criticism.

Cloud Dancer selected as Pantone's Colour of the Year
Cloud Dancer has been named Pantone's latest Colour of the Year.

For those who has spent years renting, confronted by the same landlord-approved beige walls and yearning for injecting personal style to their home, Pantone's new Colour of the Year might feel like a disappointing choice.

This time around, the renowned color company has chosen a shade of white as its premier hue.

In detail, the shade is called Cloud Dancer – a white characterized as "lofty" and "airy" which "serves as a symbol of tranquility in a society rediscovering the value of introspection".

It marks the initial instance a pure white has been picked as the Colour of the Year, and it has raised more than a few eyebrows.

According to Pantone, Cloud Dancer "transcends mere pigment, it's a philosophy" and embodies a collective urge to decelerate, reset and seek peace after years of sensory saturation.

An all-white interior using the Cloud Dancer shade
An all-white application of Pantone's Cloud Dancer – soothing in theory, anxiety-inducing if you drink red wine or coffee.

But some commentators have branded the decision as "Pantonedeaf", contending that elevating minimalist and immaculate white spaces can seem far removed from the smaller, messier homes most people call home.

Others propose that framing white as aspirational introduces subtext related to race, creating unease within ongoing political and cultural dialogues about inclusion and diversity.

Sterile or Serene?

Designer Chris Beaumont says the criticism goes beyond surface appeal, stating that white holds societal connotations and is rarely a innocuous choice.

"The color white sends a message," he says, shaped by a ten-year period of sparse star homes – most notably Kim Kardashian's austere home – that came to epitomize "wealth, order and removal from chaos".

He explains that white is "not intended to inspire but being careful not to offend", with Cloud Dancer personifying "austerity, moral minimalism and the concept that neutrality equals virtue".

Design critic Chris Beaumont
According to Chris Pantone's choice for 2026 is "tone-deaf".

The designer references the global health crisis as a turning point in how people relate to their homes.

"Overnight they became our offices, sanctuaries and sources of stability," he says, noting that in this context, directing the Colour of the Year towards "more aesthetic barrenness seems rather tone-deaf".

Instead of offering calm, he believes white now threatens to amplifying "a feeling of bleakness", especially when combined with harsh, sterile lighting.

'A Clinical Atmosphere

An interior designer, a Surrey based design expert, agrees and says Cloud Dancer "is not perceived as a colour" and is "completely rejected for me".

While it may suit highly minimal or structural spaces, she says bright whites rarely foster calm in real homes.

"What looks serene in a professional photo can easily feel sterile at home," she clarifies.

"The color white may seem harsh and demanding and you wouldn't wish your home to emit clinical feelings."

Interior designer Lara Clark
According to Lara using white in real homes can create a sterile feeling.

She adds that "living spaces should elicit happiness and feel inviting and welcoming, and this hue feels quite removed from that."

The critic expresses a desire that homeowners will reject the Pantone Colour of the Year in preference for "unabashed dopamine décor", using colour to express individuality.

The vice president of the Pantone Colour Institute commented that people "have varied interpretations" to the significance of the colour, but it was selected as it "works seamlessly with everything around it, offering a refined neutrality that feels intentional and adaptable".

Since its launch in 2000, Pantone's Colour of the Year has evolved into a significant industry signal.

Previous selections have featured the optimism of a vibrant pink-orange, the serene assurance of Classic Blue, the vibrancy of Viva Magenta, and most recently more gentle, feeling-based tones like Peach Fuzz.

These colours don't just live on style predictions - they show up in clothing lines, beauty launches, home decor, product wrapping and even technology, influencing how products are marketed and how consumers envision the year ahead.

A past Pantone-inspired cosmetics collection
Beauty products previously released a collection based on Pantone's 2015 Colour of the Year - Marsala.

A style and trend expert, says Cloud Dancer is a "elegant choice" and while it may appear basic, "this specific hue feels gentle and refined rather than stark".

Contrary to those who say the colour is dull, the expert sees it as "adaptable" and says it's best used in "sleeping quarters and communal spaces where you want a serene, restful ambiance".

"Even if you prefer not to redecorate, you can incorporate the colour into a room with cushions, blankets and curtains."

Pantone's previous Colour of the Year
Pantone's Colour of the Year for 2025 was Mocha Mousse which "promotes a authentic and organic approach to luxury".

Design expert Another professional says although he was surprised that Pantone's selection this year was "essentially the lack of pigment", it is a bit like vanilla ice cream, in that "everyone likes it but it's not a top choice".

He can see its merits, explaining that white can work particularly well as a backdrop for design features like panelling and arched doorways which is a "growing trend in contemporary houses".

In fashion, white has long been a basic rather than a statement and as a Colour of the Year it poses a different challenge to designers more accustomed to bold shades.

Luxury stylist Oriona Robb says elevating white feels "not focused on newness and more concerned with purpose", reflecting a movement towards sophistication after years of trend overloads.

Fashion stylist Oriona Robb
According to Oriona white is a hard colour to pull off in fashion.

"White forces designers and those who wear it alike to concentrate on form, proportion and quality, there's really nowhere to hide," she explains.

But she continues that it also carries assumptions around body confidence, way of life and advantage, stating: "When white is treated as something only a narrow group of people can wear well, it becomes exclusionary."

She says the industry is already aware of the uncomfortable undertones tied to celebrating white as an aspirational standard, especially amid continuing discussions about representation and accessibility, and the true challenge will be whether "brands engage with that nuance authentically, or simply aestheticise the colour".

A Reflection of the Times

Stylist Another expert concedes the choice at first surprised her, considering Pantone's history of vibrant hues, but says it mirrors a genuine shift and aligns with a wider mood of "quiet luxury

Thomas Wright
Thomas Wright

Smart home enthusiast and tech journalist with a passion for sustainable living.